Elias Benito-Arranz took charge of several roles, such as Dux, very professionally with talent and a good voice. 


Ópera Actual Magazine,

About La Dogaresa

Teatro de la Zarzuela, Madrid,  May 2015


Elías Benito Arranz offered a sovereign portrayal of the Count. His training at La Monnaie’s Opera Studio clearly suits him well.

His baritone is flexible and distinctively precise. He has the composure to let his face speak from stillness, and the confidence to time big gestures at exactly the right moment.


 Le nozze di Figaro,

Sommer Oper Bamberg, Germany, 2011

Glorious singing from Elisabeth Meyer, Elias Benito Arranz and Caroline Nkwe, whom we are sure to see again on the concert platforms across the world.


Der Neue Merker,

Recital in HfM Lübeck,

Schleswig Holstein Festival, Germany, August,2013

Among the singers, the Spanish baritone Elias Benito-Arranz stood out and introduced himself with a sonorous bass as Dandini in Rossini's La Cenerentola and Malatesta from Don Pasquale.

Allgemeine Musikalischen Zeitung,

Lyric Gala

Villa Musica, Germany, April, 2011

Elias Benito-Arranz sang with an assured technique and a very well projected voice.


El Binari,

Bruckner's Requiem/Händel's, Utrechter Te Deum  

Palau de la Música Catalana, Barcelona, April 2012

One of the surprises of the night was the beauty of Elías Benito's instrument, a baritone who made even the singing of Onegin's aria sound easy.


El diario vasco,

Lyric Gala,

Balenciaga Museum, San Sebastián, April, 2011


 Elias Benito-Arranz stood out with very expressive singing and great personality in all his interventions.



About Mozart Requiem ,

Palau de la Música Catalana, Barcelona, March2015

Elias Benito-Arranz (also as Guest) sang a robust Escamillo without cockiness

Münchner Merkur

About Carmen,

Prinzregententheater München, Feb.2016

even more Elías Benito-Arranz, who showed, not only a great voice, but also first class acting skills


Ópera Actual Magazine,

about Une Éducation Manquée E.Chabrier,

Teatro Arriaga, Bilbao,  Dec. 2015